tT A A A
  • Venue
    Experimental Theatre
  • Date Time
    9 March 2024 | 5:00 pm
    9 March 2024 | 6:30 pm
  • Age Limit
  • Member Price
    Rs.180 & 135/-
  • Non Member Price
    Rs.200 & 150/-

Event Details

5.00 pm to 5.45 pm (Free Event)
Panel discussion
 by experts in the field of tribal languages from Jharkhand invited by Tata Steel Foundation
Topic: ‘Looking at Jharkhand through the Lens of Tribal Languages’
Panellists – Dr. Ajit Munda (Munda Tribe), Sadhna Samad (Ho Tribe), Dr. Narayan Oraon (Oraon Tribe), Rabindranath Murmu (Santhal Tribe)
Moderator – Gunjal Ikir Munda (Academician and Social influencer)

Kudmali Jhumar songs

by Kamal Mahato & group

Regarded as an Indo-Aryan language, Kudmali is one of the several languages spoken in Bihar. While mainly prevalent in the Chhota Nagpur region of Jharkhand, it is also widespread in the border regions of Odisha and West Bengal. Though mainly written in the Bangla script, Kudmali literature is also available in other scripts such as Devnagri and Odia.

Closely linked with the lives of common people, Kudmali folk songs are simple, yet appealing. There is no aspect of life in this region that can be considered complete without the inclusion of these extremely popular songs, known as Kudmali jhumar geet.

Chhau dance by Dildar Ansari & group

Recognised by UNESCO as intangible cultural heritage of humanity, chhau is a popular dance form prevalent in the three states of eastern India: Jharkhand, Odisha and West Bengal. Although there are regional variations, topics generally range from the great epics and mythology to nature and even folklore, which are presented using combinations of hand, neck, and eye movements. Some varieties also deploy martial art techniques. Instruments used are bamboo flute, cymbals and varieties of native drums. Within the state of Jharkhand, there are three prevalent styles of chhau: Saraikela, Kharsawa and Manbhum.

This chhau dance presentation revolves around the hunting tradition of this region replete with lush green hills, forests, animals and tribals, in which hunters kill animals for their flesh. When persuaded by their wives to abandon the age-old practice against nature, hunters understand the importance of maintaining an ecological balance by protecting all kinds of flora and fauna, which would in turn protect the human species.

Phurgal Dishom Rin Bir Ko, folk play by Jeet Rai Hansda & group

The play portrays the saga of several adivasi men who fought relentlessly against the rulers of the British Empire in pursuit of freedom. Starting in 1784, Baba Tilka Manjhi led an uprising against British landlords at Bhagalpur. His brutal execution gave impetus to further rebellion by other young men including four brothers—Siddhu, Kaku, Chand and Bhairav—who, around 1855, dared to fight the British along with thousands of adivasis from the Santhal region. Legend has it that their sisters as well as lovers also joined the freedom struggle. Later, Birsa Munda led the struggle from the Chhota Nagpur region. The sacrifices made by these iconic leaders along with thousands of men, women and children are depicted in a style replete with song, dance and action.


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The NCPA is committed to preserving and promoting India's rich and vibrant artistic heritage in the fields of music, dance, theatre, film, literature and photography, as well as presenting new and innovative work by Indian and international artists from a diverse range of genres including drama, contemporary dance, orchestral concerts, opera, jazz and chamber music.